Across the US, satirical holiday displays have appeared that mock hardline government immigration policies. These scenes retell the classic nativity story, depicting the newborn Jesus and his family, Joseph and Mary, as figures affected by the tactics of enforcement agents.
One striking installation at a congregation in Evanston, Illinois features the infant Christ placed within a crib amidst snow. Yet, the doll is wrapped in the type of thin, foil thermal blankets frequently distributed to detainees and has its wrists secured by zip-ties.
Close by, the figure of Mary stands outside the building, equipped with a respirator. Such gear has been used by activists attempting protection from tear gas. She is flanked by figures of Roman soldiers, however in this display they are wearing body armor labeled with the acronym “ICE.”
At a different Windy City church, the usual models of the holy family are nowhere to be seen from the standard nativity scene with camels and donkeys and wise men. Instead, a placard bears a direct message: “Due to ICE activity in our community the Holy Family is in seclusion.”
“Christmas is a time where we have displays out on the lawn and we get an opportunity to say something,” remarked a church leader involved with one of the displays.
These artistic statements are extensions of the prominent role taken by faith leaders in ongoing demonstrations against immigration enforcement. Comparable socially conscious displays have been erected in other states.
In Massachusetts, a church removed the small statue of Christ from its creche. In its spot was a handmade notice that stated: “ICE was here.” Church officials reportedly remained firm despite complaints from various religious and agency officials.
For those behind these scenes, presenting the age-old tale of Christ’s birth within a modern political context draws focus to ongoing government agendas. They contend that the holy family’s status as displaced persons parallels the actual fears and realities of many households today, encompassing being torn apart and the removal of breadwinning family members.
It is not the first time congregations have used nativity scenes for social commentary. Previously, installations have highlighted topics ranging from conflict to the climate crisis.
The messages are not always widely accepted. A church minister involved commented that some detractors either misinterpret the message or “consider it really challenging to their conscience and are reacting negatively at the art rather than considering what the actual message is.”
In a physical way, the elements have also impacted one display. At a separate church, the figure of Joseph was blown down in a storm and was unable to be restored. A replacement sign now occupies the spot, declaring: “Joseph didn’t make it. We keep this place to honor and remember all the victims of immigration enforcement terror.”
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